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. Poetics part II By: Hjuka Harugari
>Hjuka wrote [[.. when I hear songs sung in the
elder form it simply 'connects' in a deep way .. ]] ...true, and I think that has alot to do with the
deeper, mystical properties underlying poetic
forms.. this was something Elder Heathen, both Scandinavian
and German knew full well...poetry was integrally tied to the life
blood of the tribe itself- it was after all THE way the tribal history
was conveyed prior to the written form ...which, it
should be pointed out doesn't necessarily mark any
sort of 'evolutionary' advancement- after all had
not the church made such devastating impacts upon the Germanen of old,
such eldritch wisdoms would still be communicated
mouth-to-ear... you can see an interesting phenomena in the evolution of Germanic languages as you follow the course of writing among Germanen...you see the inflexional systems diminish (and in English, nearly totally disappear)...so that it takes many more words to express a thought than it did within the language in its earlier manifestation...Gothic, which has the most complex inflectional and grammatical system I've ever tried to learn (It took me longer to learn Gothic than any other language I've attempted) is a great example of it- háuhista frumişa ...two words into five...even MoGerman is wordy compared to its elder form.. though certainly, OHG is not quite complex as the elder, Gothic form in its grammatical/inflexional systems... anyhow, the poetic rhythm triggers that certain response within the brain...the condensing of phrases not only allows for a greater codification (say, where you want to encrypt something within the verse), but for the memorization of key points or even a word-for-word retention of the 'message' or 'thing' being sung/ sung about in the composition....
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